The Working [self] Director | Simon Coronel

Simon Coronel is an Australian Illusionist. As such, he is just as dreamy as you might imagine. We met through Twitter and although frequently in Fringe Central’s Tent at the same time, I got to know him mostly through his cabaret segment done mostly in Mandarin and other people. It was a joy to adjust the questions for a self-directing performer!

CMJ: Please give a short description of your show from a Director’s and Performer’s Perspective. What were the images or themes that drove your process?

SC: The main theme that drove the show was the realisation that audiences at magic/illusion shows have very fragmented experiences. Some people are actively trying to work out how the illusions are done, some deliberately do not want to know how they’re done, some think that it’s real magic, some think that you’re trying to make them think it’s real magic… it’s a mess. When you see a musician, comedian, theatrical play, opera, or nearly any other performance piece, the audiences is more or less on the same page. So the show began as an effort to try and lead a fragmented audience towards common ground so they could consistently appreciate what they were seeing.
CMJ: How did you prepare for a Fringe show versus others? For Hollywood Fringe versus other Fringe Festivals?

SC: I deliberately tried to avoid seeing it as a “Fringe show” – instead just a show that happened to be being performed at a Fringe Festival. It is however still quite experimental, and the inclusive atmosphere of the Fringe is great for nurturing that. One of the more interesting challenges was adjusting the show for the differences between American and Australian audiences. Every time I’ve come to LA I’ve been stunned by how wonderfully open and enthusiastic the audiences here are – back home I’ve had to work a lot harder with each audience before they’ll open up and intellectually engage with the show. I’m aware though that it might just be my accent helping me out here.

CMJ:  What was the biggest challenge in directing this piece and how will you overcome it (if you think you will)?

SC: The biggest challenge has been in finding the balance between entertainment and exposition. The balance between “show” and “tell”, if you will. The first few attempts at this show ended up being far too heavy on the exposition, and suffered for it. In the subsequent rewrites I really went hard on trying to make sure that even if people weren’t interested in the deeper layers of what was happening, they could still at least enjoy the eye candy of the impressive visual illusions.

CMJ: What is the biggest challenge to directing yourself? How have you found your way here and where do you hope to go?

SC: It’s always hard to look at your own work objectively. I’ve found myself thinking various parts of the show were far more – or indeed far less – interesting than they actually turned out to be for the public. One of the main reasons I’m showcasing here is in the hope of finding another director to work with – someone who can help me move the show beyond where I’ve managed to take it so far myself. It’s definitely hitting some of the notes I want it to, but there’s still so much more I have planned for it.
————-
Upcoming public appearances:
July 12 – July 15: Live at the Melbourne Magic Festival
August 5 – August 27: Live at the Edinburgh Fringe 

Simon Coronel is an extraordinary performer; one of Australia’s most skilled and innovative Sleight Of Hand Artists. He has won many awards for his unique and engaging performances, and is recognised as one of Australia’s leading experts in the field.

He has performed at venues in more than six countries across four continents, including the world famous Academy of Magical Arts in Hollywood. With a list of satisfied corporate clients including Credit Suisse, VISY Industries, Pfizer Pharmaceuticals, and the Boston Consulting Group, he’s experienced in entertaining even the most sophisticated crowd.

Simon can breathe life into any occasion as a performer, speaker, or consultant. If you’re having an event, contact him. He’ll make it amazing.

1 ping

  1. I’ve Never Been Described as “Dreamy” Before… | Things By Simon says:

    [...] …or at least, not in a published interview. There’s a first time for everything however, and this one is thanks to Cindy Marie Jenkins and her Working Directors column. [...]

Leave a Reply

Your email address will not be published.

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>