In Talks at Google with Patrick Rothfuss, he answers a question dear to my heart. I usually discuss it in relation to children’s theatre, but it holds. They’re smarter than you think.
Audience Question: How hard is it to make hard fantasy versus soft fantasy for children?
Rothfuss: There’s an unfortunate tendency among people in general to say, oh, I’ll just write a fantasy novel because you can just make stuff up. And that’s wrong, because that’s not – you can just do a bunch of stuff and magic will make it make sense. You can, but that’s not good writing, it’s not good storytelling, it’s not good craft.
In my opinion, similarly, people, sometimes, in the genre, are like, well, boy, I wish I could write YA because then kids don’t know what a plot hole is, they don’t care about consistent characterization, they’re not gonna call me on the million dragons ecology problem that I’ve created, this is not a sustainable eco-structure. But that, in my opinion, is a really egregious cop-out. Because in the same way that food that we feed our children should be actually held to a higher standard than the food you give to an adult, because an adult can say, blech, this is awful, or they can read the label and go, oh, this has terrible things in it and it’s going to make me sick and give me cancer. A kid can’t.
And so you owe it to kids to actually put more work into this because it’s harder to write short. It’s harder to write simply [sic]. It’s harder to do a lot of these things, and it’s harder to write cohesive, coherent, internally coherent fantasy. And you shouldn’t go to YA thinking, oh, my, this will be way easier. I can just bang out 30,000 words and then go play World of Warcraft.
I do not approve.
I know that it’s hard, but that doesn’t mean that we shouldn’t try for it. That’s my philosophy.”